| Name |
Interests |
| |
|
| Patricia Allerston
(History) |
Papermaking in 16th- and 17th-century
Italy; the Venetian publishing industry; printing
in early modern Europe; reading practices; bookselling
and the circulation of texts |
| |
|
| Andrew Barker (German) |
Scrapbooks and ephemera; Vienna
1900 |
| |
|
| Bill Bell (English
Literature) |
19th-century publishing history;
reading practices; the book in 19th century Scotland;
convict and emigrant readers; tourism and the book
trade; reading in the first world war |
| |
|
| Philip Bennett (French) |
Editing of medieval French literature;
formation and reception of cycles; bibliography
of Guillaume d'Orange Cycle; author and public in
the middle ages |
| |
|
| Jonquil Bevan (English
Literature) |
17th-century book trade; the
printing history of Isaak Walton; the hand press
|
| |
|
| Andrew Brown
(History) |
The book in relation to civic
life and religion in 14th- and 15th-century Bruges |
| |
|
| Michael Bury
(Fine Art) |
Italian 17th-century prints;
illustrated books; publishing |
| |
|
| Ian Campbell
(English Literature) |
Textual criticism; 19th-century
authorship; the publishing history of thomas Carlyle
and Lewis Grassic Gibbon |
| |
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| J. P. Campbell (Fine
Art) |
Conservation of manuscripts and
book illustrations (particularly relating to the
Scottish Enlightenment); 19th-century text and image
|
| |
|
| Viccy Coltman (History
of Art) |
Visual and material culture in
C18th Britain, with a special focus on Scotland
|
| |
|
| Iain Donaldson (Biomedical
Sciences) |
Medical
publishing and translations in Paris and London
(16th and 17th centuries). Illustration and construction
of 16th century books. Digitisation of renaissance
print. |
| |
|
| Peter France
(French) |
Published translations; the publising
history of Nelson's French Series |
| |
|
| Ian Fraser (Scottish
Studies) |
Scottish place-names; landscape
history; toponomy |
| |
|
| Peter Freshwater
(University Library) |
The publication of Scottish music
|
| |
|
William Gillies
(Celtic and Scottish Studies)
|
Gaelic publishing and printing
history; the circulation of texts; the production
and use of manuscripts; bibliography and textual
criticism |
| |
|
Barbara Hilliers
(Celtic)
|
Authorship; composition and performance
of early Irish narrative; orality-literacy; manuscript
culture and the printed text |
| |
|
Tony Howatt
(Theoretical and Applied Linguistics)
|
History of literacy; teaching
practices and the learning of reading |
| |
|
Tom Hubbard
(English Literature)
|
Bibliography of Scottish Literature
in Translation |
| |
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| Larry Hurtado
(Divinity) |
Early Christian codex; Greek
papyri (100-400AD); nomina sacra |
| |
|
Anne King (English
Language)
|
Textual editing; Old English
and Older Scots manuscripts and their survival |
| |
|
Timothy Lim
(Divinity)
|
Production
and use of manuscripts (including The Dead Sea Scrolls);
digitization; copyright and intellectual property
(especially in regard to ancient manuscripts and
artifacts) |
| |
|
Bonnie McDougall (Asian
Studies) |
Authorship; correspondence published
during the writer's lifetime |
| |
|
Warren McDougall
(English Literature)
|
18th-century
Scottish book trade; transatlantic relations; Charles
Elliott |
| |
|
Donald Meek
(Celtic)
|
Aspects
of the book in Gaelic culture. |
| |
|
Alex Murdoch
(Scottish History)
|
History
of reading in early modern Scotland |
| |
|
Stana Nenadic
(Social and Economic History)
|
Consumption
in 18th-century Britain; Highland gentry in the
18th century; books and prints |
| |
|
Nicholas Phillipson
(History)
|
The book
in the Scottish Enlightenment |
| |
|
John Renwick
(French)
|
Library
catalogues of the 18th century (particularly France
and Scotland) |
| |
|
Marion Schmidt (French)
|
Genetic
and textual criticism; self-censorship (particularly
in the the manuscripts of Proust) |
| |
|
J.C.G. Strachan
(Classics)
|
Textual
editing (particularly Plato and Euripides); paleography
|
| |
|
Roger Tarr (Fine
Art)
|
Drawing
books of the later Middle Ages; Italian manuscripts
|
| |
|
Richard Thomson
(Fine Art)
|
Book and
magazine illustration (particularly late 19th-century);
Toulouse-Lautrec; Bonnard; George de Fevre |
| |
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