Session 5
D. THE SERIAL AND THE BOOK
Chair: Iain Stevenson
From
Newspaper Serialization to Book Publication:
Stephen Leacock's Sunshine Sketches of a Little
Town
Gerald Lynch (University of Ottawa)
The
Serialization of Victorian Three-Volume Novels:
A Preliminary Analysis
Troy Bassett (Indiana University-Purdue University Fort Wayne)
The Little Magazine: Definitional Issues
Celia Aijmer-Rydsjö and AnnKatrin Jonsson (University of Gothenburg)
Carcanet
Press and Contemporary Poetry Publishing
Kristin Ewins (University of Oxford)
A. THE ORGANISATION OF TEXTS
Chair: Roger Chartier
Memorial
Genres: Commonplace Books and Poetry Anthologies
in Nineteenth-Century New England
Amanda Watson (Connecticut College)
Technologies
of Extraction: The Commonplace Book, Scrapbook, and Friendship Album in Nineteenth-Century England
Jillian Marissa Hess (Stanford University)
Venetian
Apothecaries and the Mundane Art of List-making:
Circulating Natural Knowledge in Ephemeral Writing
Valentina Pugliano (University of Oxford)
Accounting
for Invention: Book-Keeping and the History
of the Wish List
Vera Keller (McGill University)
B. THE POLITICS OF PRINT
Chair: Peter Cudmore
‘Wrangling Lawyers': Proclamations, Censorship and the English Parliament of 1621
Chris R. Kyle (Syracuse University)
‘That none may pretend ignorance': The Dissemination of Official Literature during the Civil Wars and Interregnum
Jason Peacey (University College London)
The
Creation of Popular Print Culture in Interregnum
Scotland
Scott Spurlock (Trinity College, Dublin)
Clandestine
Printing and Publishing in Civil War London
David Adams (Darwin College, Cambridge)
G. AUTHORSHIP AND REPRESENTATION
Chair: Jonathan Wild
‘The
Mouthpiece of Rossetti': Dante Gabriel Rossetti's
Literary Afterlife and Theodore Watts-Dunton's
Alwyn
Angie Dunstan (University of Sydney)
Melville's Late Limited Editions: Ruptures in the Paradigm of Professional Authorship
Micah Robbins (Southern Methodist University)
‘Stamped
on Hot Wax': George Meredith's Narratives of
Inheritance
Melissa Jenkins (Wake Forest University)
Elizabeth Bowen's Junk Mail
Joseph Rosenberg (University of Toronto)
C. NEWSPAPERS AND PERIODICALS
Chair: John Hinks
The Paragraph as Information Technology: How News
Travelled in the Eighteenth-Century Atlantic World
Will Slauter (Florida State University)
From Page to Book: Transformations of the Periodical in the Eighteenth Century
Urmi Bhowmik
The Early Gaelic Periodical Press, 1829-45
Sheila Kidd (University of Glasgow)
How Were Victorian Local Newspaper Readers Influenced by What They Read?
Andrew Hobbs (University of Central Lancashire)
E. THE CREATION OF KNOWLEDGE
Chair: Michael Moss
Rethinking Communication and Originality: The Example of Lecture Note Books in Late Eighteenth Century Prussia
Jens Eriksson (Uppsala University)
The Academic Library as an Agent of Enlightenment: William Robertson, Exploration Narratives, and the University of Edinburgh Library in the 1760s
Porter White (University of Edinburgh)
Books
or Universities?
Peter Josephson (Uppsala University)
What is the Impact of Electronic Reading Devices in Academic Libraries?
Judith Brook (Mercer University) & Anne Salter (Oglethorpe University)
F. TECHNOLOGY AND MODERNIST LEGACIES
Chair: Randall Stevenson
'The work of the hand': Virginia Woolf and the Hogarth
Press
Laura Marcus (New College, Oxford)
‘Words upon the Wireless and the Window-Pane': Technology
and Transmission in the Modernism of W.B. Yeats
Adrian Patterson (National University of Ireland, Galway)
Mark Danielewski's Kinaesthetics: An Extension of
Modernist Haptics in the Digitally Defined Work
Matthew Hayler (University of Exeter)
‘Marcel's Color Machine': The Technological Improvisations of Marcel Duchamp and William Carlos Williams
Eric White (Oxford Brookes University)
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